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Francesco Fornasaro
Италия
Добавлен 22 июл 2010
Francesco Fornasaro - J.S. Bach: Prelude and Fugue BWV 847 (The Well-Tempered Clavier, Book 1)
JOHANN SEBASTIAN BACH'S PRELUDE AND FUGUE BWV 847:
The Prelude, 38 bars long, is based for both hands on obstinate semichrome figures with the form of broken chords and assumes - passing through different harmonies and changes of key - the appearance of an impetuous and overwhelming Toccata culminating at bar 28 in a stormy and dramatic Presto, which ends at bar 33. Then, masterfully, the final 'coda' begins, consisting of two initial bars of Adagio where, as in a recitative-cadence, an arpeggiated chord is followed by a rapid succession of biscrome and semibiscrome leading to the final resolution, made of two bars by Allegro consisting of an articulated sequence of semichrome ending with ...
The Prelude, 38 bars long, is based for both hands on obstinate semichrome figures with the form of broken chords and assumes - passing through different harmonies and changes of key - the appearance of an impetuous and overwhelming Toccata culminating at bar 28 in a stormy and dramatic Presto, which ends at bar 33. Then, masterfully, the final 'coda' begins, consisting of two initial bars of Adagio where, as in a recitative-cadence, an arpeggiated chord is followed by a rapid succession of biscrome and semibiscrome leading to the final resolution, made of two bars by Allegro consisting of an articulated sequence of semichrome ending with ...
Просмотров: 1 542
Видео
Francesco Fornasaro - J.S. Bach: Duetto No.4 BWV 805 (Clavier-Übung, Part 3)
Просмотров 8754 года назад
JOHANN SEBASTIAN BACH'S DUETTI BWV 802-805: Johann Sebastian Bach's four Duets BWV 802-805 belong to the Third Part of the "Clavier-Übung", composed in 1739 and intended for the organ, and were included at a fairly late stage in the engraved plates for the book. Their purpose has remained a source of debate. Like the beginning Prelude and Fugue BWV 552 of "Clavier-Übung III" they are not explic...
Francesco Fornasaro - J.S. Bach: Duetto No.3 BWV 804 (Clavier-Übung, Part 3)
Просмотров 8084 года назад
JOHANN SEBASTIAN BACH'S DUETTI BWV 802-805: Johann Sebastian Bach's four Duets BWV 802-805 belong to the Third Part of the "Clavier-Übung", composed in 1739 and intended for the organ, and were included at a fairly late stage in the engraved plates for the book. Their purpose has remained a source of debate. Like the beginning Prelude and Fugue BWV 552 of "Clavier-Übung III" they are not explic...
Francesco Fornasaro - J.S. Bach: Duetto No.2 BWV 803 (Clavier-Übung, Part 3)
Просмотров 6404 года назад
JOHANN SEBASTIAN BACH'S DUETTI BWV 802-805: Johann Sebastian Bach's four Duets BWV 802-805 belong to the Third Part of the "Clavier-Übung", composed in 1739 and intended for the organ, and were included at a fairly late stage in the engraved plates for the book. Their purpose has remained a source of debate. Like the beginning Prelude and Fugue BWV 552 of "Clavier-Übung III" they are not explic...
Francesco Fornasaro - J.S. Bach: Duetto No.1 BWV 802 (Clavier-Übung, Part 3)
Просмотров 9184 года назад
JOHANN SEBASTIAN BACH'S DUETTI BWV 802-805: Johann Sebastian Bach's four Duets BWV 802-805 belong to the Third Part of the "Clavier-Übung", composed in 1739 and intended for the organ, and were included at a fairly late stage in the engraved plates for the book. Their purpose has remained a source of debate. Like the beginning Prelude and Fugue BWV 552 of "Clavier-Übung III" they are not explic...
Francesco Fornasaro - J.S. Bach: Prelude and Fugue BWV 846 (The Well-Tempered Clavier, Book 1)
Просмотров 8774 года назад
JOHANN SEBASTIAN BACH'S PRELUDE AND FUGUE BWV 846: The famous Prelude no.1 in C major BWV 846 is the first arch of a colonnade that harmoniously introduces the entire cycle of the "Well-Tempered Clavier". Its limpid simplicity and perfect balance (to which is suited a very sweet and calm sound dissolving a majestic and solemn trend), are the result of three successive revisions. It consists of ...
Laura Alvini - Girolamo Frescobaldi: Toccate d'Intavolatura di Cimbalo (Libro I, Roma, 1615)
Просмотров 52 тыс.11 лет назад
Le meravigliose e superbe dodici toccate per clavicembalo di Girolamo Frescobaldi (1583 - 1643) tratte dal celeberrimo "Primo Libro di Toccate e Partite d'Intavolatura di Cimbalo" (pubblicato da Nicolò Borboni a Roma nel 1615) nella pregevolissima e raffinatissima interpretazione della compianta Laura Alvini (1946 - 2005). Si tratta di una delle esecuzioni più belle ed eleganti che io abbia mai...
![Cecilia Bartoli & Il Giardino Armonico - "Viva Vivaldi!" [Théatre des Champs-Elysées, Paris, 2000]](http://i.ytimg.com/vi/4qpYeayqu6U/mqdefault.jpg)
Cecilia Bartoli & Il Giardino Armonico - "Viva Vivaldi!" [Théatre des Champs-Elysées, Paris, 2000]
Просмотров 90 тыс.11 лет назад
Certainly more than just the composer of the "Four Seasons", we all know that Antonio Vivaldi (1678 - 1743) also wrote hundreds of largely famous and wonderful instrumental works, and his glorious church music is well known. But it wasn't until recent decades that his wonderful operas - of which he is said to have written more than fifty - were resurrected. In this now famous concert held at th...
Freiburger Barockorchestra - Johann Sebastian Bach: Brandenburg Concertos No. 1-6 (BWV 1046-1051)
Просмотров 793 тыс.11 лет назад
While functioning as Kapellmeister (Director of Music) to the court of Prince Leopold of Anhalt-Köthen (1694 - 1728) J. S. Bach presented in 1721 to Christian Ludwig Margrave of Brandenburg-Schwedt (1677 - 1734) the Baroque masterworks known as the "Brandenburg Concertos". This delightful performance of the orchestral works by the Freiburger Barockorchester conducted by Gottfried von der Goltz ...
Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988
Просмотров 224 тыс.11 лет назад
The great harpsichordist Pierre Hantaï plays Goldberg Variations in G major BWV 988 (published as Clavier-Übung IV, 1741) on an original harpsichord in Villa Medici (Rome), seat of the Accademia di Francia (French Academy). Filmed and recorded in 2000. Hantaï starts playing at minute 6:40.
The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Orchestral Suite No. 4 in D major, BWV 1069
Просмотров 92 тыс.11 лет назад
The Amsterdam Baroque Orchestra conducted by Ton Koopman plays the 4th Orchestral Suite (Ouverture) in D major, BWV 1069 (? c. 1718-23), at National Museum Het Loo Palace in Apeldoorn (Netherlands).
The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Orchestral Suite No. 3 in D major, BWV 1068
Просмотров 585 тыс.11 лет назад
The Amsterdam Baroque Orchestra conducted by Ton Koopman plays the 3rd Orchestral Suite (Ouverture) in D major, BWV 1068 (? c. 1729-31), at National Museum Het Loo Palace in Apeldoorn (Netherlands).
The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Orchestral Suite No. 2 in B minor, BWV 1067
Просмотров 480 тыс.11 лет назад
The Amsterdam Baroque Orchestra conducted by Ton Koopman plays the 2nd Orchestral Suite (Ouverture) in B minor, BWV 1067 (c. 1718-23 or c. 1735), at National Museum Het Loo Palace in Apeldoorn (Netherlands).
The Amsterdam Baroque Orchestra - Johann Sebastian Bach: Orchestral Suite No. 1 in C major, BWV 1066
Просмотров 162 тыс.11 лет назад
The Amsterdam Baroque Orchestra conducted by Ton Koopman plays the 1st Orchestral Suite (Ouverture) in C major, BWV 1066 (c. 1718-23), at National Museum Het Loo Palace in Apeldoorn (Netherlands).
Francesco Fornasaro - Domenico Scarlatti: Sonata in B minor K. 87 (L. 33)
Просмотров 3,9 тыс.11 лет назад
Francesco Fornasaro plays the wonderful and expressive Harpsichord Sonata in B minor K. 87 (L. 33) by Domenico Scarlatti (1685 - 1757). The instrument - which is not the one you can see in the pictures - is a double manual harpsichord made by Alberto Colzani (Milan, 1992) after Goermans-Taskin (Paris, 1783). Tuning: unequal temperament Pitch: A = 415 Hz The recording was made in Florence (Italy...
Carole King - Will You Still Love Me Tomorrow? (1971)
Просмотров 2 млн12 лет назад
Carole King - Will You Still Love Me Tomorrow? (1971)
Gino Paoli - Due poveri amanti (1962)
Просмотров 20 тыс.12 лет назад
Gino Paoli - Due poveri amanti (1962)
Canción de José Benito
It's like listening to the sky, it's like coming home and having coffee with your loved ones.
by far my favorite way to experience this is this vid!
At 2:51 where the overture switches into high gear in a minor key: pure cathartics!
❤
1:00:45 min -1:01:15 min <3
Bela Cecilia del Belo canto ,soy tu fans por acá en Latinoamérica
Horn playing is exceptional!
Why are 96.4 percent of baroque oboists female?
You think this is good yall should hear me in the shower
❤
In the Brandenburg Concerto # 2 the fantastic trumpet player barely seems to move, yet his play is as vivacious as that of his lively colleagues.
it opens on a cold winter night
Un agasajo, simplemente maravilloso
Ahhhh, I haven't listened to this for such a long time -this is nourishment to my soul ✨❤️✨❤️✨❤️
❤❤❤🎉🎉🎉🌾🌾🌾☘️☘️☘️☘️💐💐💐
She is absolutely brilliant. I wish I could have seen her at this time.
Bach para gozo y gloria de los hombres !!
When the Angels play for God of course they play Bach. When the Angels play for themselves they play Mozart. (and God eavesdrop).
E com grande prazer que ouço Cecília Bartoli! É uma cantora e artista excelente!Que o mundo a saiba apreciar e dar-lhe o devido valor! Além de que é alegre e demonstra estar de bem com a vida ❤🇵🇹
Einmalig
Endless Newton
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The Berenstain Bears Bears on Wheels Danny and the Dinosaur Little Bear Splat the Cat Sings Flat One Hundred Shoes A Dollar for Penny Zack’s Alligator
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Ton Koopman Presents Sunshine , Moonshine
........dem orchester und den solisten auch höchstes lob!
..........viva cecilia!
.....und in ihrer musikalität unvergleichlich!
....die beste königin der nacht, die ich in meinem 80 - jährigem leben gehört habe, auch im vergleich mit der callas!
Bach is an eternal and divine beauty
🎉
einzigartig
Браво
16:45
d'autres me font croire en Daft Punk 🤪
la variation sur la sixte me fait presque toujours croire en Dieu
Вообще не очень хорошо играют
Can anybody explain why this recording sounds like B flat minor, not B minor?
Because of baroque tuning, look it up
best Goldberg interpretation out there
Tesouro inestimável da humanidade , magnífico patrimônio da cultura , intangível aos computadores quânticos !
Merveilleuse Cécilia, unique ❤
The ability to simply play hundreds of different interpretations of Bach's GV, and others, on various instruments with a few finger presses is akin to absolute wizardry for 99 per cent of every human that ever lived. What a time to be alive.
Magnifico
The same as the reputation Freiburg!
bach was the goat
1:24